In light of the debacle surrounding the release of Final Cut Pro X, where long-term users were left infuriated by the omission of key features, that might be a good thing, but if there was a fundamental reason why Logic 9 wasn’t suitable for your production process – lack of multi-core support, perhaps, or the absence of automatic latency compensation for external MIDI instruments – then Logic X probably won’t answer your problems. Logic Pro X certainly lives up to some of our expectations – notably in terms of closer integration with the look, feel and workflow of GarageBand – but it isn’t the ground-up rewrite some of us expected (or even hoped for). Would Apple target a prosumer market, focus on bridging the gap for GarageBand users and leave pros in the lurch? Furthermore, could the delay indicate a shift in focus? In that time, GarageBand has become a staple of Apple’s software offering and the GarageBand app for iOS has been released – both, of course, drawing accusations of dumbing down music software. It was widely speculated that the long delay in updates meant that Logic was being rewritten from the ground up, just as Final Cut was for version X. Like Logic, Final Cut was based on code inherited from another developer (Logic was originally developed by Emagic, formerly C-Lab, members of whose development team joined Apple when it bought the company in 2002 Final Cut was originally developed by Macromedia). It’s the latter which is of most interest since its recent history has notable similarities with Logic. Pro Appsįor hints of the overall ethos behind Apple’s development strategy for Logic, we can look to the company’s other Pro Apps: Aperture, Motion and Final Cut. Don’t expect an overtly dance music-focussed upgrade here instead, we’re looking at a refinement of the existing features, a number of which happen to be highly relevant to dance music producers, and perhaps most importantly of all a major overhaul of the software’s GUI and workflow. Version X (see Apple’s online knowledge base for pronunciation guidelines – that’s ten, not ex) follows suit. With new features such as Amp Designer, Pedalboard and Flex Time, there was a sense with Logic 9 that Apple’s focus was largely on live band recording and an attempt to consolidate the DAW’s position in the pro studio market, competing with the likes of Pro Tools and Nuendo rather than taking on Ableton Live and Reason for the electronic music userbase. In the wake of Steve Jobs’ phenomenal success in revitalising the ailing company’s business model, pro users have had every reason to suspect that niche software like Logic is now a lower priority to Apple than iPhones, iPads and iPods.Īpple announced the release of Logic Pro X in typically singular fashion, sending out a press release on Tuesday morning to inform the world that the new version was available from the App Store. Some even speculated that Apple was cutting its pro app development team and perhaps even discontinuing development altogether. Consumers and journalists alike were left completely in the dark as to when we might see a new version. In the four years since the last Logic update, speculation has been rife regarding the future of Apple’s flagship DAW. But how much of the update is relevant to dance producers? (Warning: contains ‘EDM Bass’ presets.) Using key commands can save you hours over the course of a year, and they won’t contribute to carpal tunnel syndrome.Four years in the making, the latest version of Apple’s flagship DAW introduces an overhaul of the interface and some major new features. I suggest you look first in the Used tab at those that are already assigned and then in the Unused tab. You can find many more very helpful key commands. If you’ve enabled plug-in changes to be part of the Undo history, though, Command-Z brings them back. Ideally it would toggle the plug-ins on and off, but it doesn’t.

I use this so often I have assigned it to the F1 key. You’ll need to assign it by selecting it in the key commands, selecting Learn by Key Label, and pressing any available key combination.

This one is brand new in 10.5.1 and incredibly helpful. Once set, you can simply toggle Cycle on and off by pressing C. This sets a Cycle rounded to regions, events, and marquee selections. Set Rounded Locators/Loop by Regions/Events/Marquee and Enable Cycle/Loop In an editor (like the Piano Roll), it will also move any selected events (notes, MIDI continuous controller steps, etc.) to the Playhead position. It moves any regions you select in the Workspace to the Playhead position. This does exactly what you’d think it does. By default, it is assigned to the forward slash next to the right Shift key. This is my favorite way to navigate around in a project.

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